How to Make Your Own YouTube Closures Without Spending

How to Create YouTube Intros & End Cards - Free and Easy

Shanoon Cox

Oct 26, 2023• Proven solutions

Part 1: Intros

Elements of an Intro

Top Intro Sites

Creating an Intro in Filmora

Part 2: End Cards

Elements of an End Card

How To Make an End Card

Part1: Intros

Elements of an Intro

Intros should only last about five seconds, and that can be cut down to two or three if you have a larger following.

When your intro video is longer than five seconds viewers are more likely to click away. The first 15 seconds of a video is when viewers are most likely to decide to click on one of the recommended videos, or go back to their search results and choose something else. The odds of them leaving within these first 15 seconds are greater if you do not get right to the main point of your video. That is why long intro sequences are bad for your watch time.

Whether it is better to put your intro at the very beginning of your video, or after you introduce your topic, will depend on your viewers. You may want to try it both ways and then look at your retention report (found in your YouTube Creator Studio under Analytics) to see which works best for you.

Top Intro Sites

There are a few different sites where you can download animated intros, customized to include your username or logo. Here are two of the best:

FlixPress.com

This is probably the most popular intro site. There are a lot of great animated intros available for under $5, or even for free.

IntroMaker.net

This is another site with really professional looking intros for $5. They only have two free options, though.

Creating an Intro in Filmora

You can create a simple intro card in Filmora.

Choose your background. You may want to use a short clip as your intro, or you may just want a colored background.
Drag your clip or background into the video track of your timeline and trim it down to five seconds.
If you have a logo, import it into Filmora and drag it into your picture-in-picture track.
With your logo selected, click on the Green Screen icon. In the pop-up, select the background of your logo to make it transparent. For this to work your logo cannot be the same color as its background.
Click on the editing icon with your logo selected and choose an animation.
Go to the Text/Titles menu and choose an animated title that suits your channel. Drag it into your text track and edit it to include your name.
The last piece of your intro is sound. You can choose a song from Filmora’s library and cut it down to five seconds, or import your sound effect.
Export your video and save it for use in all of your other videos.

Part 2: End Cards

When your video ends, YouTube will recommend a selection of videos users may want to watch next. Often, these recommendations will not include more of your videos.

To keep viewers on your channel, you can create your End Card which recommends other content you have created.

Elements of an End Card

An end card includes clips from two or three of your videos, muted, and shrunk down to thumbnail-size. Using spotlight annotations you can make these thumbnails click-able.

It is also important that your end card includes multiple calls to action. A call to action is meant to spur a viewer to some kind of action. Writing ‘Check out this video’ above one of your thumbnails is a call to action.

You should also have a subscribe link somewhere in your end card, ideally a very noticeable button with a proven call to action like ‘Subscribe Now!’.

Some creators will leave their end cards at that and play music overtop, but it can be even more effective to include a voiceover where you ask viewers to subscribe and watch your other videos.

How To Make an End Card

Choose a static background. You may want to download an end card template or create one in a drawing program. If you do, make sure to include calls to action like ‘Watch more!’ and ‘Subscribe’.
Drag your background into your timeline at the end of your video.
Import two or three of your previous videos and drag them into your picture in picture tracks. Each clip should be on its track.
Trim the clips in your picture in picture track down to the same length as your end card.
Shrink your clips down to thumbnail-size by dragging their corners in the preview window.
Position your clips so they are spaced evenly by dragging them in the preview screen.
Mute your clips.
If your background does not include any calls to action, choose a title from the Text/Titles menu in Filmora and create at least two – one asking viewers to subscribe, and one asking them to watch your suggested videos.
Export your video from Filmora and upload it to YouTube.
Go to your Video Manager and select Annotations in the drop-down menu next to your video.
Go to your end card in the previewer, as that is where you want to add your annotations.
Click Add Annotation and add a spotlight annotation to your video. Stretch it over one of your thumbnails and then check the Link box under your Annotation’s timing. Insert a link to the video you are previewing.
Repeat for any other thumbnails. For your subscribe button, change where it said ‘Video’ to ‘Subscribe’ and enter your channel URL.
Click Apply Changes.

Shanoon Cox

Shanoon Cox is a writer and a lover of all things video.

Follow @Shanoon Cox

Professional Filmmaking Made Easy with Right Lenses

A Vlogger’s Guide To Camera Lenses

Richard Bennett

Nov 01, 2022• Proven solutions

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
Part 2: Vlogging With Each Focal Length Group
Part 3: Crop Factor
Part 4: Focal Length Equivalency Table
Part 5: Aperture
Part 6: Vlogging With a Fast Lens
Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

Better low-light performance
Better autofocus performance
Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

More expensive
Moving subjects more likely to get out of focus when shooting with a large aperture
Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

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"[New] 2024 Approved How to Make Your Own YouTube Closures Without Spending"

How to Make Your Own YouTube Closures Without Spending

How to Create YouTube Intros & End Cards - Free and Easy

Shanoon Cox

Part1: Intros

Elements of an Intro

Top Intro Sites

Creating an Intro in Filmora

Part 2: End Cards

Elements of an End Card

How To Make an End Card

Professional Filmmaking Made Easy with Right Lenses

A Vlogger’s Guide To Camera Lenses

Richard Bennett

Three Focal Length Groups: Wide, Standard, Telephoto

Wide-Angle Lens

Standard Lens

Telephoto Lens

Vlogging With Each Focal Length Group

When to vlog with a wide-angle lens

When to vlog with a standard lens

When to vlog with a telephoto lens

Crop Factor

Focal Length Equivalency Table

Aperture

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

Cons of Vlogging With a Fast Lens

Optical Image Stabilization